InthefilmDialogischerAbrieb,thesceneofanaccidentservesasthescopeforacinematicmetaphoricaldialogue:twofigurinesubjects,whichultimatelycrashintoeachotherinaslowmotioncarcrashscene,actastheframeworktotheformalstructureofthefilm.Mutualsubjectionandimpressionareallegoricallyexemplified.Themomentumoftheimpactofthecollisionsub-servesasageneratorofastonishingartificialbodilyposturesthatcouldbetranslatedintosomethinglikeanarchiveofembodiments.Intransitorycutscenesbetweenthedeceleratedsequenceofthismishap,“biographical“flashbacksareinserted.Thesoundtrackoffersanothersensationaldimensiontoworkthroughthevariousabrasionsofthesespeculativetraumaticevents.Thus,theworktriestoinvestigatethepotentialinthenarrativeoftheseidentityfoundingandcrushingincidentswithinthescopeofanaudio-visualsculpturalwork.