PixelsoftheOrientappropriatesWesternmediadepictionsofEastAsianforapsychedelicandcomedicexplorationofahistoricalEastAsianaestheticsandidentity.WesternfilmandtelevisiondepictsEastAsianculturethroughapasticheofChineseandJapanesesymbols–oftenmixedwithotherinfluencesfromacrossAsia–filteredthroughanOrientalistlensthatassociatesthis“Asianness”withtheexoticandmysterious.Stuckinafeedbackloop,replicatinganddistortingitselfendlesslyinthevacuumofitsfiction,thissoupofvagueAsianiconographyceasestohavemuchrelationtohistoricculturalpractices.Whilethereismuchvalidcriticismoftheserepresentationsasotheringandfetishistic,PixelsoftheOrientaimsnottocritiquebuttoreclaim.PresentingtheappropriatedimagesinthecontextofavideoguidetoAsianculture,thisvideorecontextualizesthesedepictionstoexploretheconstructionofdiasporicidentity.