从布鲁克林来的叔叔

90年代意大利最佳超现实主义电影?!<br/>　　variety的官方评论:<br/>　　<ahref=&quot;https://www.douban.com/link2/?url=http%3A%2F%2Fwww.variety.com%2Freview%2FVE1117910311.html%3Fcategoryid%3D31%26cs%3D1&link2key=ff3a505ae6&quot;target=&quot;_blank&quot;rel=&quot;nofollow&quot;>http://www.variety.c<wbr/>om/review/VE11179103<wbr/>11.html?categoryid=3<wbr/>1&amp;cs=1</a><br/>　　Thebestitalianfilmofthe90's,themostextremeandradicalworksinceSALO',aruthlessrepresentation,inasurreal-metaphoricalkey,ofacivilizationcondemnedtoworshippingitsownblindness.Thetwosiciliandirectorsusealanguagefreefromcompromiseandfromthetraditionalstorylinerules:themovieisphotographedinasharpandverycontrastingblack&amp;white,withnobeautifulpimpmusic,andlacksalogicalstory.Therearenowomen(theonesweseeareactuallymen),andthelanguageisstrictsiciliandialect.Thedirectingstyleischaracterizedbylongfixedshotsonapost-atomicworld,whichisreallypresent-dayPalermo,inhabitedbyfatpeopleinsocksandunderwearwhoburpandfartwhileroamingaroundsmellyalleywaysandwastedumps.Andaboveall,thereistheblackhumorofthetwo&quot;cinics&quot;,acute,ruthless,andveryintelligent.Anextraordinaryessayofsurrealisticcinemainperennialconfinementbetweendramaandirony,betweendisconcertmentandaliberatorylaugh,thewholemixedwithaprofoundsenseofsqualoranddiscomfortthataccompaniestheviewerevenafterthefilmisover.Afilmthatshowsthelossofcertaintyandmoralvaluesintoday'sworld,theabsenceoforderandsense:Godisdeadandmanisaloneinthisabyss,thisiswhatCipriandMarescoseemtoberemindingusofwitharesonantblow.