树荫

艺术家兼导演克里欧·巴纳德使用经典纪录片的技术，记录下陷入困境的英国剧作家安德烈邓巴与她的女儿间动荡关系的真实故事，同时揭开一个黑暗的家庭的过去。<br/>　　In1977,whenAndreaDunbarwas15,shestartedworkonTheArbor,aplaybasedonherlifeinarundownneighborhoodofBradford,inthenorthofEngland.Threeyearslater,theplayenjoyedasuccessfulruninLondon.Dunbarbecamefamousandwroteseveralotherplaysaboutsimilarthemes—sexualabuse,teenpregnancy,drugaddiction,violence—butthendiedsuddenlyofacerebralhemorrhagein1990.<br/>　　DirectorandartistClioBarnardspenttwoyearsmakingsoundrecordingsofthepeoplefromDunbar’scircle.Insteadofusingthematerialasaninspirationforaconventionaldocumentary,shehadactorslip-synchtotheaudio.Everysigh,gasp,andpauseinthevoicesgetarticulatedimpeccablybytheactors.SheinterweavesthiswithscenesfromTheArborthatareactedoutinDunbar’sneighborhood.<br/>　　Throughtheconfrontationofdocumentaryandfiction,Barnardshowsthatdocumentaryisalwaysaconstruction.ItistheperfectmediumforDunbar’ssemi-autobiographicaltexts,inwhichtheboundarybetweenfictionandrealityistrulyagrayarea.<br/>　　源自：<ahref=&quot;https://www.douban.com/link2/?url=https%3A%2F%2Fwww.idfa.nl%2Fen%2Ffilm%2Fcc4c5d73-4e06-45e9-a190-5ac2d71f4fad%2Fthe-arbor&link2key=ff3a505ae6&quot;target=&quot;_blank&quot;rel=&quot;nofollow&quot;>https://www.idfa.nl/<wbr/>en/film/cc4c5d73-4e0<wbr/>6-45e9-a190-5ac2d71f<wbr/>4fad/the-arbor</a>