囚鸟

Itissaidthatlaughterisatitsbestwhenasmilebreaksthroughtears.ThenameoftheItalian-bornworldcitizenAndreaMagnanishouldnotbeunknowntotheaudiencesofPÖFF.Thosewhostillrememberthedirector’swonderfullyconvivialdebut“Easy”whichwasscreenedatthefestivalin2017andinwhichasissywhohascometolovefoodtoomuchissuddenlyplacedinfrontofbiglifechoicescanprobablyguessthedirectionthatthedirector’snewfilmmaytake.<br/>　　ForyoungGiacinto,prisonislikehome.Itwouldindeedbemorecorrecttosaythatprisonishisonlyhome,becausethelittleboyhasbeenborninprisonandhasspenthisentirelifeinprisonwithhismother.PrisonistheplacewhereGiacintotrulybreathesandlives,asthat’stheplacewherehehasbeenborn,learnttowalkandlove.Assoonastheprisondoorsclosebehindhim,theyoungmanfeelsthatlifeoutsidetheprisonwallsisnotforhim.Atthefirstopportunity,heescapesfromtheoutsidebacktoprison,hishome,wherehecanfeelsafefromthedangerousoutsideworld.Butuponreachingadulthood,Giacintohastomakeanimportantdecision...<br/>　　Accordingtothedirector,thefilmwasinspiredbyhisownyouthyearsinasmallItaliantownthatfeltlikeaprisontohisyoungself,butwasstillsodear.<br/>　　Thisimmenselywarmcomedywithitsscarcedialogueandsilentfilmelementsknowswhattheaudienceexpectsfromafilmindifficulttimes.Itissimplybrimmingwithhumanwarmththatwesodesperatelyneedtoday.