
Itissaidthatlaughterisatitsbestwhenasmilebreaksthroughtears.ThenameoftheItalian-bornworldcitizenAndreaMagnanishouldnotbeunknowntotheaudiencesofPÖFF.Thosewhostillrememberthedirector’swonderfullyconvivialdebut“Easy”whichwasscreenedatthefestivalin2017andinwhichasissywhohascometolovefoodtoomuchissuddenlyplacedinfrontofbiglifechoicescanprobablyguessthedirectionthatthedirector’snewfilmmaytake.<br/> ForyoungGiacinto,prisonislikehome.Itwouldindeedbemorecorrecttosaythatprisonishisonlyhome,becausethelittleboyhasbeenborninprisonandhasspenthisentirelifeinprisonwithhismother.PrisonistheplacewhereGiacintotrulybreathesandlives,asthat’stheplacewherehehasbeenborn,learnttowalkandlove.Assoonastheprisondoorsclosebehindhim,theyoungmanfeelsthatlifeoutsidetheprisonwallsisnotforhim.Atthefirstopportunity,heescapesfromtheoutsidebacktoprison,hishome,wherehecanfeelsafefromthedangerousoutsideworld.Butuponreachingadulthood,Giacintohastomakeanimportantdecision...<br/> Accordingtothedirector,thefilmwasinspiredbyhisownyouthyearsinasmallItaliantownthatfeltlikeaprisontohisyoungself,butwasstillsodear.<br/> Thisimmenselywarmcomedywithitsscarcedialogueandsilentfilmelementsknowswhattheaudienceexpectsfromafilmindifficulttimes.Itissimplybrimmingwithhumanwarmththatwesodesperatelyneedtoday.



