
Madebetweenthreelocations,IfFromEveryTongueitDripsisassembledthroughacallandresponseexchangeofsound,textandimage.Interestedintheframeworkofvoice,vibration,time,soundandlanguagethatquantumphysicsexplores,directorSharleneBamboat’sfilmemergesfromanexchangeoftheoreticalentanglementsbutispracticedandrenderedthroughbodilyones.InBatticaloa,SriLanka,PonniwritesRekhti,aformof19thcenturyUrduqueerpoetryasSaralaactsascameraperson.Onreceivingthecapturedimages,BamboatbasedinMontreal,CanadapassesbackdirectorialinstructionalongwithfragmentsofquantumtheorywhichSaralareads,thistimefilmedbyPonni.AsthedigitalimagesrepeatedlytranscendgeographiclocationtoreachBamboat,shelayshercommentaryonSaralaandPonni’simages,overlappinghervoiceontheirs.TravellingfurthertotheIsleofSkyeinScotland,therecordingsreachSharlene’sfrequentcollaborator,sounddesignerandmusicianRichyCarey,whoentersathirdspaceofdeeplistening,co-creatingasoniclandscapethatallowsafurtherexchangeofpolyvocalitythroughsoundandimage.Intothisassemblage,BamboatweavesreferencestotheinterconnectedimpactsofBritishcolonialismandIndiannationalismoncontemporarypoetry,danceandmusicinSouthAsia,noddingtoherongoinginterestinboththemanywaysthatpopularculturecanbepoliticised,aswellasthesensuouspossibilitiesofitsreclamation.