
From2019to2022,directorSarahVosfollowedReinWolfs,thenewdirectoroftheStedelijkinAmsterdam,andhisteamastheyattempttoresolvethelackofgenderdiversityofthemuseum,inwhich90%oftheworksofartofthevastcollectionhadbeenmadebywhitemen.Tocorrectthisimbalance,themuseumallocated50%ofitsbudgettobuyworksbynon-Westernartistsanddiversifieditshiringpractices.Thefilmdocumentsmeetingsinwhichissuessuchasracial,ethnicandgenderrepresentationareaddressed,aswellastheadoptionofappropriatelanguage:should“sexworker”replace“prostitute”incertaintitles?Theyconductresearchinthearchivesofartbywomenartists,oftennotevencatalogued,andworktorearrangethecollectionalonganewthematicpathtocontextualizethecultural,historicalandreligiouscircumstancesinwhichtheworkswarecreated.WhiteBallsonWallsshowsthesuccessesandfailuresofthisdifficultprocess.WethankPordenoneDocsFestfortheircollaboration.<br/> 源自:<ahref="https://www.douban.com/link2/?url=https%3A%2F%2Fwww.schermodellarte.org%2Fen%2Ffilm%2Fwhite-balls-on-walls%2F&link2key=a55e17eada"target="_blank"rel="nofollow">https://www.schermod<wbr/>ellarte.org/en/film/<wbr/>white-balls-on-walls<wbr/>/</a>