
Fourmothersexplainhowtheirsonsendedupintroublewiththelawbecausetheyfellinwiththewrongcrowd,experiencedtraumaorwereintimidatedbyagang.Theoffensesareminor,andtheirinvolvementwasnotalwaysproven—sometimestheywereonlywitnessestoacrime.ButonceAmsterdam’sTop400crimepreventionprogramhastheminitssights,thingsjustgetworseforthem.<br/> Themothersareheldhostagebyabureaucracythatentirelydisruptsfamilylife.Friendsandfamilyseethemasbadparents,andthepolicesometimeseventreatthemasaccomplices.Toprotecttheiridentity,themothersthemselvesdon’tappearoncamera,butwedoheartheirvoices.Theirrolesareplayedbyactresseswholip-synctheirstories.<br/> Thesestoriesarenotonlyanexpressionoffrustration,angerandasenseofpowerlessness,butalsoanindictmentoftheuseofalgorithmsforthepredictionofcriminalbehaviour.Thisformofcrimepreventionhasaparticularlystigmatizingeffectanddiscriminatesagainstsociallyandeconomicallyunderprivilegedyoungpeoplefrommigrantbackgrounds.<br/> 源自:<ahref="https://www.douban.com/link2/?url=https%3A%2F%2Fwww.idfa.nl%2Fen%2Ffilm%2F14fd24d9-3421-401b-a7a1-6d6b93c94204%2Fmothers&link2key=268068d43c"target="_blank"rel="nofollow">https://www.idfa.nl/<wbr/>en/film/14fd24d9-342<wbr/>1-401b-a7a1-6d6b93c9<wbr/>4204/mothers</a>