
“Isawadeer”,saysamalevoiceatthebeginningofthefilm.Thetoneofthevoiceandthecrunchofstepsinthesnowsetthepersoninawintrylandscape,walkingtenselytowardstheanimal.Theviewerseesonlythescenery,thedarkcurvesofthemountainscuttingintothesky.Thegrainoftheblackandwhite8mmfilmblendswiththewintermisttoblurthevisibleintoshadesofgrey.ThiscaptivatingopeningformulatesthehighlypoeticquestionthatunderliesPierreVoland’sfilm.Shouldwedesiretoseetheobjectofourdesire?Withwhateyes?Doweeverreachthegoalofourquest?Theimageandsoundseemnottowanttotoucheachother,northethreequeststhatthefilmmakerweavesintothisspace.Thefirstquestistrackingwildanimalsinasnowyforest.Thesecondistheknight’squestforhisQueenduringamarvellousrecitalinOldFrenchofanepisodefromChrétiendeTroyes’smasterpieceLancelot,theKnightoftheCart.Thethird,morecarnalquesttakesplaceinthevirtualspaceofagaydatingapp,inventedfortheoccasionbythefilmmaker.TheexchangeofmessagesontheblackscreenofthetelephonealternateswiththetranscriptioninmodernFrenchofChrétiendeTroyes’verses,printedontothespectacularblackandwhiteshotsoftheJura.Inthisdizzyingdiscrepancybetweenthecenturies,betweentheoriginofFrenchliteratureanddigitalmessaging,wordsbegintopass,tobeexchanged.Thewordsofcourtlyloveandthemysticalquestendupwinningovercarnaldesire,andtoday’slandscapesbecomethoseofmedievaladventure.NoGPStrackingcanleadtotheobjectofdesire.Andthisisthepoem’smessage–youhavetogetlost,loseyourbearings,yoursightand,likeLancelot,evenforgetyourname.Andthen,besottedknight,youcanwalkbarefootontheedgeofthesword.Whoknows,attheendofthepath,youmayseedeersnufflinginthesnow. 源自:https://fidmarseille.org/en/film/signal-gps-perdu-gps-signal-lost/