InanemptyhospitalinKolkata,India,amanfacesprotocolsofblood,asubtlydiscriminatoryoffice,andavacantoperatingtheater.Hismindisonaloopofthelastmonthsofhiswife’slife,whenaquietargumentdeveloped.Whenistheendofpharma-medicalcare,whoselifeisitanyway? Theywereanestrangedcouple,thrownbackintointimacybyanunknownillness.Eveninadreamworldofhismaking,theparanoiaofinfectionistwinnedwithahesitantintimacy.ThefilmrevisitsthemesfromMohaiemen'searlierTripoliCancelled(2017):familyunitaslocusforpain-beautydyads,abandonedbuildingsasstaginggroundforlostsouls,andthenecessityofsmallprevaricationstokeeponliving.InTripoli,theboredomofdailylifeispunctuatedbyletterstoaninvisiblewife,andendlessreadingsofRichardAdams’sdarkchildren’sbook“WatershipDown”.InJoleDobeNa,amemoryoffinaldaysiskeptalivebythepartner,andthebookreadingsarefromSyedMujtabaAli’sstoriesofEuropebetweenthetwowars.