
Thefilmnavigatesthisaftermathobservingthesignsofanevacuatedcivilisation.Marinelifeisrepresentedinmuralsandasformsofarchitecturalornamentation.Adolphinremainsstill,joyfullystuckinmidair,turnedtostone.Incontrasttoconstantlifeandmovementunderwater,theothersideremainsstill,quiet,andsolidinaconcrete-madeworld.Occasionally,thevoicesprojectedfromthespeakersinterruptthesesilencestomakeannouncementstovisitors. Thehumansaregonebutdiverselifeformsfillthearchitecturalspacestheyleftbehind.It’sasifamongstthisabsencethearchitectureandinfrastructureoftourismwhispersitsownstory.Thepipesthatoncesuppliedaquariumsandwaterslidesnowbreathnotes.Thecurtainsofaonceluxurioushoteldanceintheoceanrhythm. Thesespectresoftourismaresearchedwithintheprocessoffilmproduction.Thefilmmakersmakeaudibletheircasualconversationsinwhichtheysearchformeaningandimaginedifferentlifeformsofthefuture.Itmightberelevantthatapandemicwassweepingthroughourworldthroughoutthefilm’sproduction.Perhapsthefilmisapost-apocalypticprojectionoftheirownrememberedeconomicdisasters.Asagenerationthatexperiencedthefalsepromisesofprogressandfreedom,theyalsolookintotheirownconnectionswiththeislandofCapaluco:Thecollapseoftheneo-liberaleconomyinArgentinaandfailedAmericandreamtoaFilipinoimmigrant.