正在同步电影信息
ArtistHsuChe-yu(TheMakingofCrimeScenes,IFFR2022)blendshisdigitallyanimatedexplorationoftherelationbetweenmediaandmemorywithanaccountofTaiwaneseterroristYungRu-Men,abombmakerwhoidolisedJapan’ssuicidally-inclinedUnitedRedArmy. Theblack-and-whiteimages,presentedasstillframes,arepatchyandunreal,likeourmemories;bothphysicalplacesandhumanfiguresdisintegrate–anobliqueandcompellingtestament,probingunseenactsandmurkymotivations. 源自：https://iffr.com/en/iffr/2023/films/blank-photograph ------------- Thisworkisacooperationwiththelong-timecollaborator,scriptwriterChenWan-Yin. Aterroristrevisitstheseashorewherehepracticedbomb-makingandgoesbacktohishomewherehespeaksastoryaboutasuicidalscene. In2003,YangRu-MenplacedbombsonthecityofTaipeimorethantentimes.Yet,noneofthebombswasignited.Yang’sactionwaslaterregardedasastruggleforfarmersinthesameveinofanti-neoliberalismandhissentencewasmitigated.Afewyearsafterhewasreleasedfromjail,hisbrothercommittedsuicideathome. Inthiswork,HsuChe-YuinvitesYangRu-Mentoperformattwosites:theseashoreandhishouse.Attheseashorewherehepracticedbomb-making,hereenactsanoperationanddiscussestheself-sacrificeresonanceoftheJapaneseRedArmy.Inhishouse,herecallsamemoryofasuicidalfamilymember.Theartistcooperatedwitha3Dscanningteam—theirjobistoprovideforensicscanningserviceatcrimescenes—tomakeadigitaldoubleofYangRu-Men.HsumadeadigitalscanofthearchitecturalstructureofYangRu-Men’shouse.Withthesedigitalmodels,theartistreconstructsthebombmaker’spersonalmemoriesvirtually. 源自：http://www.hsucheyu.com/2022/11/blank-photograph.html