正在同步电影信息
InBlackNatchez,weencounterthestruggleforfreedomagain,thougharticulatedinadifferentform.“Theadventofportablesync-soundequipmentintheearly’60smeant,forthefirsttimeinthesoundera,thatfilmmakerscouldgotothesubjectasopposedtobringingthesubjecttothecamera,”Pincuswouldlaterexplain.“Theabilitytotakeacameraoutintotheworldcreatedthedesireto‘getitright,’tofilmtheworldindependentoftheactoffilmmaking.IntheU.S.,allsortsofruleswerebeingcreatedindocumentaryfilm—noscript,nonarration,nointerviews,nolighting,nomicboom,nocollusionbetweensubjectandfilmmaker.