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Amangetsonatrolleybusandstartsaphoneconversationwithhiswifeorgirlfriend.Becauseshedidn’tanswerthephone,heistalkingextremelyviolentandhethreatensherwithdeath.Thepassengersbecomespectators,unwillingly. In2009,ConstantinescurepresentedRomaniaatTheVeniceBiennale,withthefilmsPassagenandTroleibuzul92,whichisan8minutefilmshowingamansittingdownbesideafemalepassengeronatrolleybus.Basedonawitnessedincident,therealisticaccountrevealsthemanhavingaseriesofabusivephonecallswithhiswife,girlfriendorlover(whoisontheoppositeendoftheline),filledwith"cursing,accusations,andcontinuousthreatsofharm,evenmurder".AsChronicleArtCritic,KennethBakerputsit:thefilmshowstheman"castigatingherformakinghimjealousbybeingunreachable.Heneverraiseshisvoice,buthisreproachesquicklygrowfiercetothepointofobscenity...IntheEasternEuropeansettingofConstantinescu'spiece,intheaftermathofgenerationsundercommunistrule,uncertaintyoverthedutiesofcitizenshipmustweighheavilyonindividuals'minds."Thesurroundingpassengersarevisiblyuncomfortablebytheseexclamations,yetnobodyintervenestostiflehisthreats-andinsuch"Constantinescumaybeimplyingthattheyareaccomplices."