brRRMMMWHEeeIIisfastandfuriouselectronicpopatitsbest.Thespeedyflowofsoundsandimagesisbasedonitsownlittlemediaarcheology:high-pitchednoisefromacathodetubeofthetypeusedinoldtelevisionsets,thecracklingofarecordalbum,patternsofcolorslikethosegeneratedbyananaloguevideomixer,andlastlythewhirrofacomputer’sprocessingunit.Andhiddeninthemiddleofallthis,adeformedtunacanservesasasurreptitiousandbarelydiscerniblemementoofthefactthattheworldoncecomprisedsomethingotherthanelectroniccircuits.AllthesesignalsandmediafeedthewildparcourseofbrRRMMMWHEeeII,inwhichfragmentsofsoundsandimagesarecapturedwithanaloguemethodsonly.Theyarejoinedbymicro-soundsgeneratedbytheindividualmachines,whicharelinkedtotherecurrentimagesandfunctioninawaysimilartomusicalriffs:alternating,interruptinganddrowningeachotherout,intheendoverlappingandpursuingeachother.