providedbyMMCA,CommissionedbySeoulMuseumofArt LeeEunhee,whoistakingpartinthe2022MMCAResidencyGoyang,collectsandcombinesexamplesandeventsofthedigitalimagesthatarewidelyreproducedandconsumedinthecontemporarytechnologicalenvironment,observingtherelationshipthatexistsbetweenthedigitalimageandtheindividual.Inparticular,shedrawsananalogyinherexplorationsbetweentheissuesofhumansocietiesandthemechanismsofmachinery.HerworkHOT/STUCK/DEAD(2021)showsthephysicaloriginsofthedigitalscreen.Peeringinsidethemachineryofdisplays,theartisttracesthematerialthatservesasamatrixforthetypicalimagesofpsychedelicscreens.Delvingintothechemicalprincipleunderlyingliquidcrystalsthatexistintermediatelybetweenliquidandsolidphases,thisworkexaminestheprocessofitscreationandobsolescencewithintheeconomicstructure—thestandardsandfinitudethatareviewedas(ab)normal.