TheZamaZamaProjectisanexperimentaldocumentationofruinouspostindustrialmininglifeinsouthernAfrica.Itisalsoanactofwitnessing.ThemenandwomenofTheZamaZamaProjectaretheforgotten,theghostsinthemachineofmodernextractivism,thescavengersofitsextravagantwaste.TheyarealsotheauthorsofthestoriestoldtoRosalindMorris,andformthecoreofthisexpressiveandprobingassemblage. Basedonlongtermcollaborativeresearch,Morris’sproject,branchingofffromherfeaturelength-documentary,WeareZamaZama,comprisesanumberofshortworksofvariousformatsinwhichthesensuousexperienceofmortallydangerouslaborispursuedalongsidethepoliticalandeconomicforcesthatdrivepeopletoriskeverythinginradicalspeculationsonlifeandvalue.Frommythopoeticencounterswiththeundergroundsublimetoreflectionsonthepoliticsandtechniquesoffilmmakingintunnelsandshaftsmanykilometersbelowtheearth’ssurfaceandvociferousdebatesonthenatureofdemocracyafterwage-labor,TheZamaZamaProjectisanaestheticallycompelling,open-endedaddressfromthenecropoliticalworld.