正在同步电影信息
소설「임꺽정」이크게성공하면서출판사관계자와북에있는작가의유족들이저작권문제를해결하기위해만난다.그남·북왕래는걱정과환대의마음과함께정치,경제,문화,각종영역이응축된또하나의소설같은이야기가된다. - (2018)을만든강상우감독이40주년을맞은사계절출판사의의뢰를받아벽초홍명희의소설『임꺽정』의스토리를훑어간단편다큐멘터리이다.이기념비적소설이기획되어기대하지않았던방식으로스테디셀러가되고,북에있는작가의유족들과저작권문제를해결하기위해왕래하는과정이수록되어있다.저작자의승인을얻지않은도용에대한우려와달리북에있는유족들의반응이동포애를느낄만한것이었다는사실이영화의주제를모두말해주진않는다.예컨대강상우는남의출판사관계자들과북의유족들이만나고협의하는과정을소설책『임꺽정』의물성(책의표지와내지이미지)과나란히놓고,기계적인사운드몽타주를덧붙여상상적으로기술한다.는미처‘갚지(payoff)’못한저작권료를매개로하여해결되지않은채표랑하는정치,비즈니스,문화적관계를이야기한다.(제14회DMZ국제다큐멘터리영화제) Asthenovel"ImKkeok-jeong"becameagreatsuccess,thepublisher'sofficialsandtheauthor'sbereavedfamilyinthebookmettosolvethecopyrightproblem.Theinter-Koreanexchangebecomesanothernovel-likestoryinwhichpolitics,economy,culture,andvariousfieldsarecondensedalongwithconcernsandhospitality.-DirectorKangSang-woo,whomade(2018),wascommissionedbyapublishinghouseforthefourseasons,whichcelebratedits40thanniversary,andisashortdocumentaryaboutthestoryofHongMyeong-hee'snovel『ImKkeok-jeong』.Thismonumentalnovelwasconceivedanddevelopedtobecomeasteadysellerinanunexpectedway,andtheprocessoftravelingtoandfromtheauthor'sbereavedfamilyintheNorthtoresolvecopyrightissues.ThefactthatthereactionofthebereavedintheNorthwascomradely,contrarytoconcernsabouttheftwithouttheauthor'spermission,doesnottellthewholestoryofthefilm.Forexample,KangSang-wooimaginativelydescribestheprocessofmeetinganddiscussingtheprocessofmeetinganddiscussingtheprocessofmeetinganddiscussingtheprocessofmeetingandnegotiatingwithpublishersintheSouthandthebereavedfamilyoftheNorth,juxtaposedwiththephysicalproperties(coverandinnerimageofthebook)ofthenovel,Kkeok-JeongLim,andaddedamechanicalsoundmontage.tellsthestoryofunresolvedpolitical,business,andculturalrelationshipsthroughthemediationofroyaltiesthathavenotyetbeen'payoff'.(The14thDMZInternationalDocumentaryFilmFestival) KangSang-woo Heisactiveinbothfeaturefilmsanddocumentaries.Withherfirstfeaturedocumentary(2018),shewontheGrandPrizeatthe44thSeoulIndependentFilmFestivalandtheAudienceAwardatthe7thMujuMountainFilmFestival.