正在同步电影信息
Ahorizontal,box-shapedbuildinginthemidstofalargehousingestatewithconcretestepsandmetalrails,portabletoilets,andconstructionnoise.QuiteaninhospitablesiteinsouthernMoravia,whichnonethelessboastsapointoflonging:itisFriday,andbothyoungandoldsetouttotaketheirplaceatthefivetablesofthislow-risebuildingwithbroadwindowfaçade.TheglassdisplaycaseholdsenticingcreamcakesandpastriesfromtheformermonarchywithresoundingnameslikeIndián,Mandarinkový,andCikérovášpice.Thechildrenorderfizzysoftdrinkswithstraws,theolderonesenjoysilentlyorswipeacrosselectronicdevices.Noonespeaks. ItisnotthefirsttimethatJacquesTaticomestomindinafilmbyJosefDabernig.Bothliketoappearinfrontofthecameraintheirquiethumor,bothletnon-sitesand“nowheres”becomethemainactorsandmistrustthespokenword;thelanguageoftheobjectsiseloquentenough.AllthatcountsistheworldofsoundsassketchedoutbyMichaelPalmwithapneumatichammerandthebangingofawoodenspooninapastrybowl,theoccasionalmeaningfulnod,buzzofvideogames,andstridingthroughthegameroom.Scootersandpramshavetowaitonthesidewalk,therealityfromoutonthestreetissuspended—yetentersagainviathedistantsoundsoftrafficandexcavators.Anatmosphereofwaiting,ofsweetboredomrunsthroughoutthefilm.ButitisnolazySunday,it’s“PastryFriday,”thelastdayoftheworkingweekwhenquittingtimecomesearly.LooselybasedonTheCure:Idon'tcareifMonday’sblue/Tuesday’sgreyandWednesday,too/Thursday,Idon’tcareaboutyou/It’sFriday…orquitesimply:onFriday,past1p.m.,everyonedoestheirownthing.Excerptfrompost-dramaticdailylifeindramatictimes. 源自：https://www.sixpackfilm.com/en/catalogue/2815/