我们被无尽的图像包围着,它们依附于各种载体上:从静态到动态,二维到三维。我们的环境仿佛被这些影像淹没,几乎令人窒息。它们无处不在,占据并扩展至每个表面和空间,作为一种“幽灵形象”在我们脑海中徘徊,促使我思考:为什么我们如此被它们吸引? 作为一种对虚拟的再度模拟,《弥散的表面》试图发起对我们周遭图像景观的二次反思,探讨其如何塑造我们的感知。通过将在物理世界中拍摄的真实照片引入在虚幻引擎中塑造的虚拟空间,它展现了一出由大量冗余图像所堆积而成的、复合记忆的剧场性奇观,从而形成了表面的置换、错置与扩散。 Wearesurroundedbyaconstantinfluxofimages,rangingfromstatictodynamic,two-dimensionaltothree-dimensional.Ourenvironmentfeelsinundated,almostsuffocating,withtheiromnipresence.Theseimagesseemtobeappearingeverywhere,ineverymedium,occupyingandexpandingtoallsurfacesandspaces.Consciouslyandunconsciouslyabsorbedbyourminds,theylingerasphantomimagery,promptingmetowonder:whyarewesoattractedtothem,andwhatinfluencedotheyinflictuponus? DiffusedSurfaceisamulti-channelvideoinstallationthatservesasasecondaryreflectiononthelandscapeofimagessurroundingus,whichconcurrentlyshapesourperception.Insertingphotostakeninthephysicalworldintothevirtualspace,andjuxtaposingelementsofnaturewithman-madestructures,itconstructsastagedspectacleofcompositememory.