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一个剧院被大幅画布和纸质幕布覆盖。随后,一个身影开始剪裁出框架,呈现出一种关于可见与不可见的绘画游戏。《无处不在》抽象地展现了佐伊·本肖普(ZoeyBenschop)在创作其2022年作品《Raamwerk》时的艺术过程。 Atheatricalplacecoveredwithlargecanvassesandpaperstrips.Afigurecutsoutframes,inanexpressiveinterplaybetweenwhatisvisibleandwhatisnot.Itisanillusionoftwo-andthree-dimensionality,inthisabstractimpressionofZoeyBenschop’sartisticprocesswhilecreatingher‘Raamwerk’in2022.“Asaspectator,youcanseeeverythingaroundyouinaspace,whileinafilmyouonlyseeafragment.Butimagineyouarewatchingafilmandyoulookoutsidenowandthen.”