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如果将建筑比作“凝固的音乐”，那么房屋的外立面就是乐谱。我们试图通过探索后苏联空间中的建筑来解读这部世纪交响乐的音色与形态。而更重要的是，理解它向现代观众呈现怎样的冲突。 Ifarchitectureis"frozenmusic",thenthefaçadesofhousesareitsscore.Weexplorethearchitectureofthepost-Sovietspace,fromwoodenarchitecturetoBaroqueandclassicism,fromArtNouveautoStalinistandKhrushchevarchitecture,tracesofwhicharefoundinthemodernpanelbuildingsknownas“humananthills”.Bydoingso,wearetryingtounderstandhowthiscenturies-oldsymphonycouldsoundandlook,andmostimportantly,wefindthatirreconcilableconflictofpersonalityandmass,theuniqueandthetypical,thatisreflectedeven“instone”.