燃烧的躯体

WalterHugoKhouri号称是巴西电影界的伯格曼，〈空洞的夜〉（1964）〈燃烧的躯体〉（1966）和〈好色之徒〉（1968）是他的人性三部曲，在他的影片中充满着存在主义的疑问、角色复杂内心的独白和现代主义的电影语言。<br/>　　IthinkthatWalterHugoKhouriwasinspiredbyAntonioni's&quot;DesertoRosso&quot;,whenhemade&quot;CorpoArdente&quot;.There'sthesamebleaklandscape.Andthephotographyisamysterytome-itisablack&amp;whitewithshadesofcolor,orratheracolorfilmtransmutedintoblack&amp;white.Thelandscapeseemstodissolveintoashiningwhiteandtheblackhorserunningfreeservesasacounterpoint.<br/>　　Antonioni's&quot;DesertoRosso&quot;isapowerfulstudyabouttheshatteredlifeofawoman(MonicaVitti),but&quot;CorpoArdente&quot;sinksintonothingnessinspiteofitsbeautifulimagesanditsseveralsymbols.Visuallyspeaking&quot;CorpoArdente&quot;isabeautifulfilm.Andthenaivetéofitssymbolsischarming.<br/>　　(fromimdbcomment)