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Seeminglyoutofnowhere,anunemployedengineersuddenlyrejectswhatothers–hiswife,friends,andpresumablyhehimselfbeforehelosthisjob–wouldconsideralifewell-lived:orderly,industrious,well-adjusted.Amodern-dayBartleby,hegetsoutofbedonemorninganddecidesthathe‘wouldprefernotto’.QuitepossiblyShahidSaless’mostpersonalfilm,butcertainlyhisangriest,Orderissuesahauntingbattlecryagainsttheasphyxiatingrealityofmiddleclassvalues.Aharrowingfilmwithlingeringimpact.
