
“Catarinaisaquantumphysicsresearcher.Shestudiesthesoundspaceshiddeninthevariationsoflight.Byimmersingherselfintheimagesshedistorts,Catarinadiscoversanewformofsoundspectrum,whichseemstogiveheraccesstoanothertemporality.”ThisishowBraziliandirectorCarlosSegundoshortlysumsupafilmwhosetitleappropriatelymeans“cracks”,aswellas“tears”or“incisions”.Thissummary,ascrystalclearastheserene,limpid,magnificentstyleofthefilmitself,hintsthatitisallabouthuntingghostsor,moreprecisely,aboutwatchingoutforthethingsinsidethethings,imaginingtheoutsideinside,etc.Inlong<br/> stillframes,thefilmmakestheassumptionthattheo-screenisnowherebut onscreen,thattheintenseconversationsbetweenthecharactersarejustroundaboutwaystocreateliveableworlds,thattheradiantbeautyofthesettings(asplendidvermilionstaircase,aviewofthecityofNatal,ahallinamuseum,aschoolyard),ofthepeople,butalsooftheframesisanalibinevertointerruptthedaydream.Fendasaordsitselftheluxuryofhumour,andmixesitshamelesslywithseriousnessandelegance,guidingusdownaslopewheresurprisessucceedoneanother–inthegentlestpossibleway.

