Identitas

上帝造蒼生，如果阿當在貧民區墓地靠掛屍骸牌號帶維生，夏娃要當雛妓救病重的老父，地球上最像伊甸園的地方竟然是停屍間。由影帝名導德迪．米玆瓦爾加持，女導Aria繼02年《Beth》再度進化，炮製了一席印尼社會眾生相的盛宴，面對多元種族、語言、習俗與宗教的大融合，新舊交雜與爪哇人生活結合，社會矛盾、貧富懸殊見怪不怪，反對聲音湧現於各式光怪陸離現象，在迷失的樂土中佐證當地社會民情的面貌。<br/>　　Adamworksatahospitalmortuary,cleaningdeadbodieswhilecollectingtheIDtagsofftheirtoes.Thedisenfranchisedcometothehospitalfortreatmentbutleaveinadequatelyservicedorrefusedcare.Inthehospitallobby,Adambefriendsayoungwomanwhosellsherbodytopayforherfather'streatment.Butwhenhetriestohelpthemgethealthinsurance,hefindsthatsheandherfatherlackproperID–onpaperandalsometaphorically,Indonesiansocietyhavinggroundthesepeopleintoanameless,powerlesslowerclass.Asatiric,disturbingandsurprisingwork,IDENTITYdeservedlywonfourprizesatIndonesia'sOscars,theCitraAwards.