
OnGuadeloupe,anarchipelagointheCaribbean,thepastspeaksup.SylvaineDampierrehastheworkersofanoldsugarrefineryreadpassagesfromthetranscriptsofan1842courtcase,whilethemachinesroarandgroaninthebackground.Thetestimoniesoftheslavesfrombackthenintherustyhallsoftodaygiverisetoapolyphonybothexplosiveandpoeticinnature.<br/> The“GrandeAnse”sugarrefineryisamonsterfromadistantpast:Flameslikelongtonguesspewfromthefurnaces,pilesresemblingboneseverywhere.TheworkerscutthemwithmachetesintheplantationsofMarie-Galante,atinyislandthatbelongstothearchipelagoofGuadeloupe.Thelongbones,thesugarcane,arethescaffoldthatkeepseverythingtogetherhere.SylvaineDampierreisinthethickofit,showsthepulsatingfactoryandthehardlabourthatgoesoninside.Seasonalworkerscomeandgo;themenorganizethemselves.Theyarefree.ThereareoccasionalflashesofthepeculiarbondwithFrance,ofwhichthisoverseasterritoryisanintegralpart,butDampierreforegroundsthetranscriptsofacourtcasefromalmosttwohundredyearsago,inwhichslavestestifiedagainsttheirviolentmaster.Anactofself-empowerment,whosegestusthedirectorbringsintodialoguewiththepresent.