
Mostfilmsrevolvearoundpeople.Theyareconcernedwithexploringhowthesepeopleact,thinkandfeel.Atthesametime,thereisagrowingrealisationthatanthropocentrismwillcreateevermoresevereproblemsaslongasinstrumentalreasoncontinuestoshapeourrelationshiptotheenvironment.Whiletheoryhasrespondedtosuchquestionswiththeconceptoftheplanetaryturn,cinemahasproducedsuchfilmsasCowbyAndreaArnold,LequattrovoltebyMichelangeloFrammartino,orTerraquemarcabyRaulDomingues.<br/> DominguesshothisfilminthehinterlandsofPortugal.Peopleappear,butonlyasonefactoramongstothers.Callusedhandssow,weed,buildandrake;stoopedbacksbringintheharvest.ThegazeoftheMiniDVcameragravitatestowardtheground,catchingsightoffurrowsinthesoil,gulliescausedbyerosion,potatoplants,weeds,agrazinghorse,theimprintoftractorwheelsinthemud.Toolsandagriculturalmachineryfeaturejustasprominently:apetrol-poweredchainsaw,aplough,amixingmachine,adrumofliquidmanure.Suchpreciseobservationofmatterexertsahypnoticpull.