
Minimalistinresourcesandfilmedfromtheunusualvantagepointofasecond-floorapartmentwindow,Malintzin17portraystwoparallelexpressionsofparentalcare.ForsevendaysandsevennightsfilmmakerEugenioPolgovskyandhisfive-year-olddaughter,Milena,contemplateanurturingdovenestingherchickonahazardousentanglementofelectriccablessituatedrightoutsidetheirbalcony.Thedoveenduresthecoldandtorrentialrain,whileMilenamakespuzzledinquiriestoherfatheraboutthebird’slocation,itsstillness,themeaning–andperils–offilmingit,itstruenature(isitarobot?),andpotentialwaystoassistit(doessheneedfood?Willthechicklearntofly?).Wieldingahandheldcamerafromthiselevatedpointofview,whichparallelsthebird’s,thefilmconstructsamicroscopicyetpowerfulenvironmentalcritiqueofnature’sentrapmentwithintheaggressiveinfrastructuresofmodernity.