余晖时光

Onanovercrowdedsummerseasidecampsite,atrioofteenagegirlsspyonadepressedseasonalworkerwhodressesupasabear–thecampsite’smascot.Theirimagination,fuelledbyachillingstoryofachildabductionthattookplaceafewdecadesearlier,leadsthemtobelievethereissomethingfishyabouthim.Inaheadymixofdocumentaryexploration,riteofpassage,detectivestoryandfairytale,LluísGaltermixesnarrativeregisterstobuildasingular,seductive,uneasyfilmsetagainstthebackdropofthetorporofsummer.Spyingthroughwindows,earsgluedtodoors,urgentlyexploringemptyspaces:sometimesavoyeur,sometimesasleuth,theeyeofthecameracastsconfusionontherelativelyinnocentmotifsoftheholidayimageryofcampsites,overshadowedbythespectreofchildabductions.End-of-dayshowers,beachsessions,cardgames…doublingthedisquietingstrangenessofthissuccessionofmotifs,theskin-tinglingworkmanshipoftheDVPaldelightsasitbrushesagainsttannedbodies,mergesbarelegsandtallgrass,anddrownsthenocturnalsilhouetteofalostchildinitspixels.WehearDebussy’sPréludeàl’après-midid’unfaune,whichmakeseverythingseemenchanted,untilitisabruptlyinterruptedbyfranticshoutsfromthecampsitepool.Theswampysurroundingsareaninvitationtonight-timeoutingsthatturnintoanexplorationofahostilejungle.ThecryofanAmericanbitternturnsintothedisturbinglamentofghostsburiedinthesands,wherethemissingboyiseventuallyfound.Aftersun’ssynaesthetic,fragmentedplotislikeachild’sdreamafteralongdayonholiday,wherediscoveriesaboutadultsexlivesareintertwinedwithnaivety,gamesandrumours–fromcrimestoriestolocallegends.It’sastrangeorganicjourneywherestoriesoverlapandteenagerswithvividimaginationsletgooftheirchildhoodviaascaremongeringgame.<br/>　　源自：<ahref=&quothttps://www.douban.com/link2/?url=https%3A%2F%2Ffidmarseille.org%2Fen%2Ffilm%2Faftersun%2F&link2key=0d1f9834b6&quottarget=&quot_blank&quotrel=&quotnofollow&quot>https://fidmarseille<wbr/>.org/en/film/aftersu<wbr/>n/</a>