
ThethirdfeaturefilmbyartistFionaTan,whorepresentedtheNetherlandsatthe2009VeniceBiennale,isajourneythroughtimeandspacethatconnectsdistantplacesandevents.Thelittle-knownimagesofdailylifeintheNetherlandsatthebeginningofthe20thcenturywereselectedbytheartistfromworksinthearchivesoftheEyeFilmmuseuminAmsterdam.Thescenes,oftenhand-coloured,showDutchwomenintraditionalcostume,winterlandscapes,harvests,fishing,trade,windmills,tulipsandanimals.Inanhistoricalparallelmanyyearsafterthoseimageswererecorded,avoice-overreadsthelettersthatTan’sfathersentherfromAustraliaaftersheleftforAmsterdamtostudyartattheendofthe90s:acorrespondenceonthesmalleventsofdailylifeorlocalpoliticsthatinterweavesepochaleventssuchastheTiananmenSquaremassacre,thefalloftheBerlinWall,theelectionofMandelainSouthAfrica.Throughahypnoticmontage,thejuxtapositionofwordandimagemergesmicroandmacrohistory,inajourneysuspendedhalfwaybetweendreamandreality.<br/> 源自:<ahref="https://www.douban.com/link2/?url=https%3A%2F%2Fwww.schermodellarte.org%2Fen%2Ffilm%2Fdearest-fiona%2F&link2key=08a57e8ef2"target="_blank"rel="nofollow">https://www.schermod<wbr/>ellarte.org/en/film/<wbr/>dearest-fiona/</a>