Writer Gao moves into a new apartment neighboring rude Zhang and his wife. The Zhangs have already forced four neighbor families to leave for different disputes. Now they are clashing with cadre Liu because of a dog issue.
黄建新转型之作，一改早期作品的先锋性转向对90年代我国普通市民生活的白描。本片用朴素刻纸的拍摄描绘了不同的社会群体面临转型时期的处境与态度，像一出社会寓言。 相比于背后捅刀的“伪君子”岳不群，似乎血刀老祖这样的“真小人”都变得可爱了。本片中代表市场逻辑的张勇武便是这样的真小人，他的恶写在脸上（养狼狗、堵锁眼），但逻辑透明、讲“生存义气”。发达后不记仇，反而想拉作家一把，就是生活中让我们又爱又恨的那种人。 与之相比，刘干部虽然张口闭口党性原则，背地里却让老婆倒卖电影票，最后为了利益主动与老张勾结。他的善仅仅是工具，实则吃人不吐骨头。 了解了这两类人，…
我感觉如果把我放在那个情景中，我会是冯巩演的角色那样/牛振华演得真好，前期流氓后期企业家
官僚、资本家、知识分子，一梯三户，加上改革开放的背景，给这个片子留下了异乎寻常的解读空间。片名里既包含着对高文惋惜，也暗含着对意识形态的焦虑。牛振华真好，傅莉丽也不错。
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