Andrzej Wajda
Andrzej Witold Wajda (Polish: [ˈandʐɛj ˈvajda]; 6 March 1926 – 9 October 2016) was a Polish film and theatre director. Recipient of an Honorary Oscar, the Palme d'Or, as well as Honorary Golden Lion and Honorary Golden Bear Awards, he was a prominent member of the "Polish Film School". He was known especially for his trilogy of war films consisting of A Generation (1955), Kanał (1957) and Ashes and Diamonds (1958). He is considered one of the world's most renowned filmmakers whose works chronicled his native country's political and social evolution and dealt with the myths of Polish national identity offering insightful analyses of the universal element of the Polish experience – the struggle to maintain dignity under the most trying circumstances. Four of his films have been nominated for the Academy Award for Best Foreign Language Film: The Promised Land (1975), The Maids of Wilko (197...
Filmography
Titles and credit roles
Director credits
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Marek Edelman... And There Was Love in the Ghetto
Andrzej Wajda: My Inspirations
Afterimage
Walesa: Man of Hope
Krec! Jak kochasz, to krec!
Tatarak
Katyn
The Lesson of Polish Cinema
The Revenge
The Last Days
Holy Week
Panna Nikt
Nasutâsha
Pierscionek z orlem w koronie
Korczak
The Possessed
Crime and Punishment
Chronicle of Amorous Accidents
Danton
A Love in Germany
Man of Iron
The Conductor
The Maids of Wilko- ZAZaproszenie do wnetrza
Without Anesthesia
Man of Marble
The Shadow-Line
The Promised Land
Wesele
Pilate and Others
Landscape After Battle
The Birch Wood
Makbet
Everything for Sale
Polowanie na muchy
Gates to Paradise
The Ashes
Love at Twenty
Siberian Lady Macbeth
Samson
Innocent Sorcerers
Lotna
Ashes and Diamonds
Kanal
A Generation
Actor credits
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Kill It and Leave This Town
Aktorka
About Cinema
Wege Durchs Labyrinth - Der Komponist Krzysztof Penderecki
Roman Polanski: A Film Memoir
Samosiuk. The Independent Film Republic
Komeda, Komeda
Andrzej Wajda: Let's Shoot!
Primo Levi's Journey
记录片：琪拉·穆拉托娃 Кира- SESergei Eisenstein: Lessons in Editing
Screen Tests
On The Set
