A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
梦境与回忆，童年创伤与反思。 碎片化的记忆回溯，参战离开的父亲，独自养育儿女的母亲，离婚的妻子，似乎要重复自己童年经历的儿子，流动的时间串联起过去与现在。 珍宝岛那段“兵马俑”好渗人...
历史并不作为事件存在，而是作为幽灵存在。战争、离散、故乡与亲人从未真正离开，它们潜伏在记忆深处，并不断通过梦境、声音与影像重新返回。过去与现在不再是线性关系，而是在不断相互渗透：童年侵入成年，私人经验侵入集体历史，现实也不断被回忆改写。镜头并不试图解释这一切，而是让人物与观众共同停留在那些无法彻底言说的时刻之中。当叙事逐渐退居次要位置，时间本身成为主角，影像则成为与遗失之物重新相遇的方式。
我喜欢平滑的推拉摇移，喜欢私人的色彩搭配，喜欢意识流的绵延叙事，喜欢围绕“忏悔”单一主题自由展开剧情。我难以把握导演的思绪脉络，是看了导赏才懂的，但这并不妨碍我喜欢这部电影。我不懂鸟鸣，但它确实好听
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