@Douban_Export_277396537_2026-10-
★★★★ 8/10
有人拿它与霸王别姬比,但这两部电影风格完全不同。要是让陈凯歌拍戏梦人生,这电影会被剪掉一半多。片中大量的固定机位拍摄、光影设计与大量老者讲述奠定了电影“空”“静”“慢”的特点,以至于对于生死也没有表现出波澜。同样的一段历史,陈凯歌像是愤青,要展现冲突,展现压迫,展现不公;侯孝贤像是长者在那里娓娓道来,只是去展现历史,只是去展现人生。

Master puppeteer Li Tien-lu recalls his life in Japanese-occupied Taiwan during the first half of the 20th century.









有人拿它与霸王别姬比,但这两部电影风格完全不同。要是让陈凯歌拍戏梦人生,这电影会被剪掉一半多。片中大量的固定机位拍摄、光影设计与大量老者讲述奠定了电影“空”“静”“慢”的特点,以至于对于生死也没有表现出波澜。同样的一段历史,陈凯歌像是愤青,要展现冲突,展现压迫,展现不公;侯孝贤像是长者在那里娓娓道来,只是去展现历史,只是去展现人生。
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