一部用纪录片形式制造了“电影是造梦的艺术”的梦的电影,用真实人物扮演自己更是模糊了真实与虚构的边界,在这一层面是有趣的,从之前角色与观众互动进化到荧屏中的世界与真实世界相连;但剧作本身像是布列松电影的翻转,大量的特写镜头与台词,这种过分朴素的表达形式还是无趣了些,对这些元素的滥用会削弱真实感。在社会观察这一角度阿巴斯与科长倒是有些相似,但是阿巴斯的电影不仅限于社会,而科长的电影已经追不上社会。

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- 8.2/10
- Site score · 12 ratings
- 15
- Watched
- 7
- Want
- 10
- Reviews
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
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