安东尼奥尼把网球默剧放在结尾,李沧东却把剥橘子的哑剧置于开头。文学性压倒电影性,李沧东一直是一个视听远弱于文本的导演,Ben和惠美都是非常文学化处理的角色,倒置的盖茨比和幻影式的女性,也习惯借助含蓄和隐喻的台词而非镜头来讲述故事。表面上用村上的壳来搭建框架,内核用的却是福克纳笔下底层的愤怒(滨口龙介也是外壳用村上,内里用契诃夫),这也导致一个极具现代性的、安东尼奥尼放大式的电影,从真实虚幻之间降格成了阶级冲突。 有没有人能认真拍一部村上电影啊喂!! 不及寄生虫,不及放大,不及驾驶我的车

Burning
- 8.5/10
- Site score · 28 ratings
- 33
- Watched
- 7
- Want
- 17
- Reviews
Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.




































